The Crucible of Modern African American Culture
by Lionel C. Bascom
December 2016, 208pp, 6 1/8 x 9 1/4
1 volume, Praeger

Hardcover: 978-1-4408-4268-9
$65, £50, 57€, A90
eBook Available: 978-1-4408-4269-6
Please contact your preferred eBook vendor for pricing.

During the Harlem Renaissance, the foundation of modern African American culture was set—sometimes by using “any means necessary.”

Focusing on the contributions of civic reformers and political architects who arrived in New York in the early decades of the 20th century, this book explores the wide array of sweeping social reforms and radical racial demands first conceived of and planned in Harlem that transformed African Americans into self-aware U.S. citizens for the first time in history.

When the first slave escaped bondage in the American South and migrated to the Northeast region of the United States, this act of an individual started what became known as the “great migration” of African Americans fleeing the feudal South for New York and other Northern cities. This migration fueled an intellectual, social, and personal pursuit—the long-standing quest for identity by a lost tribe of African Americans—by every black man, woman, and child in America. In Harlem, that quest was anchored by a wide array of civic, business, and prominent leaders who succeeded in establishing what we now know as modern African American culture.

In Harlem: The Crucible of Modern African American Culture, author Lionel C. Bascom examines the accuracy of the established image of Harlem during the Renaissance period—roughly between 1917 and the 1960s—as “heaven” for migrating African Americans. He establishes how mingled among the former tenant farmers, cotton pickers, maids, and farmhands were college-educated intellectuals, progressive ministers, writers, and lecturers who formed various organizations aimed at banishing images of Negroes as bumbling, ignorant, second-class citizens. The book also challenges unfounded claims that political and social movements during the Harlem Renaissance period failed and dramatizes numerous attempts by government authorities to silence black progressives who spearheaded movements that eventually ended segregation in the armed forces, drafted plans that led to the first sweeping civil rights legislation, and resulted in a U.S. Supreme Court ruling that finally made racial segregation in schools a federal crime.


  • Documents the Harlem Renaissance period's important role in one of the greatest transformations of American citizens in the history of the United States—from slavery to a migration of millions to parity of achievement in all fields
  • Extends the definition of one of the most progressive periods in African American history for students, academics, and general readers
  • Provides an intriguing reexamination of the Harlem Renaissance period that posits that it began earlier than most general histories of the period suggest and lasted well into the 1960s
Lionel C. Bascom is professor in the Department of Writing, Linguistics, and the Creative Process at Western Connecticut State University in Danbury, CT. Author of numerous nonfiction books, including two about Harlem, Bascom is a two-time member of the Pulitzer Prize jury in journalism at Columbia University.


"This is a solid discussion of these organizers and the continuity between what was known as the Harlem Renaissance and the activism of the 1960s. Summing Up: Recommended. Lower- and upper-division undergraduates through faculty; general readers."—Choice, July 1, 2017

"A scholarly yet readable history of a broad era. Consider for public and academic libraries, especially those in the greater New York City area."—Library Journal, April 1, 2017
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