||6 1/8x9 1/4
||Popular Culture/Music and Performing Arts
Despite having composed 140 major works of music, all while pursuing an active and productive career in teaching, Vivian Fine (1913-2000) has not, until now, been the subject of a significant biography or bibliography. Regarded by many as the finest American female composer of the 20th century, Fine enjoyed many accomplishments, which ranged from seeing her works first performed when she was only 18 years old, and witnessing one of her ballets choreographed by Martha Graham, to the achievement of international renown. Author Judith Cody, who knew Fine personally, provides here a complete bibliography of her compositions, guides to locating published and recorded editions, and analyses of various aspects of the work of this most important figure in American music.
Interviews with Fine, combined with extensive research into secondary sources, allow Cody to give shape to a remarkable life, tracing the composer as she moved from child prodigy of Chicago to the center of the modern music and dance movements in New York City in the thirties, forties, and fifties. The result is both an exhaustive reference work and a vibrant portrait of an artist whose talents spanned decades, continents, and nearly every major creative development of the 20th century.
- Table of Contents
PrefaceBiographyBibliographyWorks and PerformancesFine at the PianoDiscographyChronology of Life EventsAppendix 1: Locating Fine's Music and ScoresAppendix 2: Publishers and Recording CompaniesAppendix 3: Vivian Fine's Lifetime Creative PeriodsAppendix 4: Analysis of Fine's Creative ProductivityAppendix 5: Fine's Music and Composition EducationAppendix 6: Works Listed AlphabeticallyAppendix 7: Works Listed by JC NumberAppendix 8: Works Listed by GenreAppendix 9: Fine's Use of Poetry in MusicAppendix 10: Iconography for Fine's After the TraditionAppendix 11: Guide to AuthorsIndex
Cody successfully captures Fine's position as the matriarch of American modern music. Highly recommended without reservation for all collections.
This is another strong pillar for the world's music reference libraries and the shelves of serious enthusiasts. It will have a strong appeal to dedicated students of US music of the twentieth century as well as those who specialise in the cruel pilgrimage female composers have had to make.... The book will open the way to Fine scholars the world over as well as shedding illumination for enthusiasts of Fine's music.