Comics-study pioneer Maurice Horn introduces this comprehensive, cross-section of international literature dealing with the world of comic art in many of its forms.
One of four volumes dealing with the world of comic art, this volume is a comprehensive, international bibliography dealing with animation, caricature, gag, illustrative, magazine, and political cartoons in the United States and Canada. Reflecting the substantial growth of comic art literature in recent years, it is representative of various types of publications, writing formats and styles, and languages from all over the world. The four volumes attempt for the first time to pull together the massive amount of comic art literature worldwide.
Organized with meticulous detail, the work consists of numerous resources, including an annotated directory of 66 comic art-related periodicals; a section of comic art functions, activities, and relationships with various socio-cultural phenomena, such as education, eroticism, ethnicity, race, social consciousness, and violence; as well as historical and contemporary parts on animation, caricature, gag cartoons, and political cartoons. At least 224 animators, caricaturists, and cartoonists are singled out for special prominence. Business, legal, and technical aspects of each genre make up other categories. The book is enhanced by Maurice Horn's foreword, retracing the pioneer work he and others did in the field of comic art studies. To further help the user, the indices are systematically broken down by authors, cartoonists, characters and titles, periodicals, and subjects.
A Time There Was, or the Age of Innocence: A Foreword by Maurice Horn
Preface
Acknowledgments
Global and Comparative Perspectives
Canada
United States: Resources
United States: Comic Art
United States: Gag, Illustrative, Magazine Cartoons
United States: Animation
United States: Caricature
United States: Political Cartoons
Author Index
Subject Index
Reviews
Lent is a prolific writer of books and articles on mass communication and a leading proponent of comic art scholarship. With these three compilations, he offers an enormous contribution to that scholarship. These works reflect long years of independent, painstaking compilation. What Lent has given us, is marvelous, and as comic art continues to be recognized and analyzed by various disciplines, these volumes should prove indispensable. All these titles are highly recommended for all academic collections.—Choice
